Severin Hansen Jr. Four Drawers Teak desk for Haslev Møbelsnedkeri A/S, Danmark, 1950

Designed 1941 ( according to a private Danish Design Research) and produced in early 1950s.

Slight wood patina, no scratches.

H: 73cm x W: 143cm x D: 75cm

Severin Hansen four drawers desk in palisander and brass key holes for Haslev Møbelsnedkeri.

Designed 1941 ( according to a private Danish Design Research) and produced in early 1950s.

H: 73cm x W: 143cm x D: 75cm

Please check first for the item availability by email (below) before acquire online.This item are being exhibited by a gallery partner momentarily.

Italian coffe or side table, 1970s. Ebonised wood legs, chrome metal strapping and the edge of the table and legs.  Marble top, very good condition, no chips.

H: 46cm x W: 83cm x D; 75cm

Silver cabinet by Charlotte Perriand in kingwood, chrome metal, glass, mirror, glass partially frosted and partially painted in gold and brown. A exceptional piece realized in 1926, for the "Salon des Artistes Décorateurs" in 1927

H: 102cm  x W: 221 cm W: 58cm

Price upon request*

Bibliographie :
- Pièce décrite dans le catalogue réalisé à l’occasion du Salon des Artistes décorateurs de 1927.
- Charlotte Perriand, Publié à l’occasion de l’exposition Charlotte Perrian dorganisée au Centre Pompidou présentée du 7 décembre 2005 au 27 mars 2006, Édition du Centre Pompidou, Paris, 2005. Modèle similaire reproduit p. 118.
- Mary Mcleod, Charlotte Perriand : An Art of Living, Harry N. Abrams, NewYork, 2003. Modèle similaire reproduit p. 27.
- Jacques Barsac, Charlotte Perriand, un art d’habiter, Édition Norm, Paris, 2005. Modèle similaire reproduit p. 25.
- Alastaire Duncan, Art Déco, Encyclopédie des Arts Décoratifs des années vingt et trente, Éditions Citadelles & Mazenod, Paris, 2010. Modèle similaire reproduit p. 63.
- Jacques Barsac, Charlotte Perriand : l’oeuvre complète, 1903-1940, Éditions Norma, Paris, 2015. Modèle similaire reproduit p. 45.

Aclassic art-deco side table designed by Jindrich Halabala in the 1930s. The round-edged black lacquered glass top plate, supported by four curbed mahogany legs on a round polished brass base .The four ebonized legs have four rounded edges and are elegantly connected to the inside of the top table. No visible screws or traces of glue.

No scratches or chips on the glass top. The four legs and the below top table are in excellent condition. Few signs of axidation on the brass base.

H: 61cm x D: 90cm

Long retangular coffee table with mosaic tabletop in white, grey, and gold, fixed on a teak-wood plate. Designed by Berthold Müller-Oerlinghaus and produced by Mosaikwerkstatt Berthold Müller-Oerlinghaus. The base consists of two legs made of chromed steel supporte with a long piece of palisander in between. the top and legs in excellent condition. Tow of top corners has minor chip and has been restored with the original mosaic.

H: 50cm x L: 183cm x W: 65cm

The 1940s French decorator's decorative arts. The "Haute Couture" of interior design from the 1910s to 1950s.

This elegant iron gilt with a glass top coffee table, all original  by Jean Royére, Tour Eiffel coffee table, France, late 1940s

In an original patina and glass top.

About Jean Royére

H: 33cm x L: 140cm x W: 55cm

Price upon request

Italian coffee table in golden wrought iron and a black-mirror-glass top. Handcrafted from unknown designer. Origins, venice.

Iron gilt is a typical aspect of the 1940s (second world warr) , when bronze and brass metal became rarity, thus substituting for gold-painted iron. Later in the 1960s - early 70s, iron gilt came back as "Hollywood Regency" style.

Limited edition "Adesso Pero" medium bookcase, red lacquered chestnut and removable rectangular glass tiles. Door engraved brass plaque "Ettore Sottsass 1992, Design Gallery Milano", 1992.

H: 210cm x L: 160cm x D: 50cm

ON HOLD

The Striking form of the bases is one of finest Wikkelsø's design, produced between 1960-1969, It is in excellent condition.

 It is an Eye-catching centerpiece for any lounge space 

H: 46cm  / D: 90cm

Square Danish coffee in palisander. Anonymous work from 1950s

H: 47cm x L: 105cm x 105cm

"Antony" bookcase with rectangular frame in oak veneer and red and blue lacquered metal with a sliding door and two shelves and a gray plastic drawer under the cabinet with inscription "Charlotte Perriand patented model". (Posterior leg) 1954. Provenance: These libraries fitted the student rooms of the Jean-Zay university residence in antony (France).

NOT AVAILABLE

Piero Fornasetti. 'Strumenti Musicali' coffee table, 1950s. Wooden top, laminated, printed pattern with musical instruments of the Renaissance, colored by hand. Foot in black enamelled metal base with a brass strip.

Marked: Maker's label

H: 47.5cm x D: 115..5cm

PRICE UPON REQUEST

Very elegant coffee or side table in solid brass and glass. The glass tabletop is holded by three peacocks in solid brass. it is about 8kg of brass metal. This table is a really eyecatcher following the unequal French style from Maison Jensen, Maison Charles, or Maison Bagues. The French Home-Haute-Couture.

In an excellent vinatge condidion

H: 5CM x D: 80cm

Pair of PETER GHYCZY Pioneer series T 18 side tables in solid brass and glass. Netherlands early 1970s.

All parts brass patinated B.50 x L.50 x H.50 cm glass 15 mm .The sand cast base, in solid brass, features the Ghyczy logo. Typical for the sand-casting process, small irregularities may exist, even in the polished surface. The 15 mm glass plate is available clear or satin and 40 × 40 cm or 50 × 50 cm sizes. The Pioneer series The foundational series under the GHYCZY name, this avant-garde collection pays homage to the clamping technique that made Peter Ghyczy a pioneer in his field. After playing with fabricated 15mm glass plates first developed in 1960, the Pioneer Series was designed around glass being the central construct. Each glass plate floats within these designs clamped in several places, essentially holding the construction together.

 https://www.ghyczy.com/

Price for the pair*

6 doors Credenza Sideboard. Each door feature 2 half-spheres sculpted in massive Honduran Mahogany, manufacture by DE COENE, Courtrai (kortaijk),Belgium during the first half of 1970s.

De Coene has been manufaturing high standart furniture pieces and highly famous for its Art-Deco. pieces that became highly collectable beacuse of the low production, a refined hand-work, and high standart materials

Hondoran Mahogany Wikipedia

Height: 120cm x Depth: 40cm x Width: 300cm

PRICE UNDER REQUEST

A fine example of the Peter Ghyczy clamp technique. This double tiered, extravagant coffee table is designed with influences from the Orient. Commanding attention, the design is built to create conversation. When lost, look to the T14 for a “tete a tete”. The supporting legs are sand cast metal, partially polished in order to accentuate their solid, handcrafted character. Typical for the sand-casting process, (ghyczy.com)

 Solid brass (4.8kg each leg) / Crystal glass top 1,5cm

Height 45cm x Depth 100cm x Width 100cm

All 4 legs are Signed and on excellent vintage condition.

A Smaller version of Peter Ghyczy Shelf Coffee Table.

 All 4 legs are signed.

Height 45cm x Depth 70cm x Width 70cm

VERY RARE and elegant table console fallowing the pioneer series in solid brass (8kg each leg) and crystal glass 1.5cm.

 *A small scratch on the glass top almost invisible

*ALL 4 legs are Signed. (Ghyczy.com)

 Height 73cm x Depth 40cm x Width150cm

A classical space-age piece, Luna bar cart-table. Manufatured in the late 1960's and early 1970's by Opal Möbel, Germany

Lacquered plywood with a smoked glass top.

In a very good condition.

Height: 49cm / Diameter: 45cm

A highly collectable Space-Age piece by Knut Hesterberg, W. Germany.

The table features a massive removable frame made of curved chromium plated flat steel, adjustable brackets with integrated glass cushions.

Many components such as the glass top in a near-new condition                                                                                            

Height:  52cm / Diameter: 98cm / Weight:  About 30kg

This coffee table features a chromed-steel  base with an retangualar smoke-colored glass top.

Manufactured by Ronald Schmitt and attributed to Knut Hesterberg. 

Period design: 1970 to 1978                                                              

Height: 117cm / Width:  70cm     

This 'Falcon' coffee table was designed by Sigurd Ressell for Vatne Furniture in NORWAY  from 1965.

 It belongs to the series Falcon Chair,is made from a smoked glass table top with stained bentwood legs.

 It is an excellent contition.

Height: 46cm / Diameter: 90cm                                                                                                                                      

Paul Kingma was a well known Dutch artist who made himself most of his tables between1970 and 1994, he started making tables in the early sixties for friends.

"All tables are unique one of a kind", made of pieces of stone he found during his trips around the world.This table weighs about 60KG. To capture nature and the beauty of aging in his designs.  The table remains in a vintage condition, some minor user marks consistent with age. A Fantastic piece of art quality table.

Materials:  Slate,beton,wood,copper

Height: 46cm / Width: 76cm / Depth: 113cm                                                                           

This coffee table has several copper rings and other metal pieces, different coloured stones and two ingrow British 1965 Winston Churchil, "Elizabeth II Gratia Regina" (5 shillings) coins, that today they were said to be worth £1000 each.

The table is Signed VAN RAMBURREM , unfortunately we still don't know much more about the artistit. Any information about we will be extremely thankfull for.

The Dutch artist Paul Reinier Kingma started making the "Kingma tables" in the 70s. His tables are made of concrete, layered with natural stones, copper of different seizes and coins that during the 1980's and 1990's he has inspired few others artists.
The top table base is in beton following the early works of Kingma. Also one stamp down under  the top table that was partially ripped that could have help us to indentify the Artist.

This table  It is undoubtedly a work of art